Virgil Georgics [Poetry, Roman, Latin, 29 BCE - 25 BCE ]

 Text: id 1403
Title of work
Georgics
Author (text)
Virgil
Reference
IV.559-562
Drupal Title
Virgil, Georgics IV.559-562
Brief description
Caesar at war
Text category
Roman
Literary genre
Poetry
Language(s)
Latin
Centuries (range of dating)
1st BCE
Date CE / start of range
29 BCE
Date CE - end of range (optional)
25 BCE
Place (text)
Naples
Location (place)
Publishing original text option
Yes
Publishing translation option
Yes
Publishing alternative translation option
No
Commentary

In this passage, coming near the end of the fourth Georgic, Virgil elevates Caesar Octavian’s military prowess, contrasting it to his own somewhat tranquil occupation. In addition to emphasising Octavian’s success and vigour (illustrated by the image of him “thundering” towards his enemy) in battle, Virgil also highlights his role as a law giver. That the conquered falling under Augustus’s laws are described as “willing” (volens) suggests that Octavian’s regime is not one of tyranny, but one which his subjects recognise as beneficial.

The poem draws an analogy between the world of battle and that of agriculture, with Octavian at battle in the East contrasted with the poet himself enjoying composing poetry in salubrious Naples (Parthenope). Jenkyns notes that despite Virgil’s honourific tone in his reference to Octavian, they both receive the same amount of space in the passage – four lines, and it is Virgil, not Octavian, who occupies its end by praising his surroundings. Virgil effectively entreats Caesar, advancing ever onwards towards imperial glory and immortality (IV.562), to understand the ordinary world of the farmer, and the greatness of the land. The poem’s wider political aims are grounded in the fact that the physical land of Italy itself is something worth loving and protecting (Jenkyns, Virgil’s Experience, p. 318-321). Octavian’s charge, therefore, is not just to expand the empire, but to defend and glorify the land which gave birth to the Roman people. As Griffin has argued, this Georgic qualifies the splendour of imperialism against artistic pursuits, recognising the centrality of military exploits in Roman honour culture, yet implying that art has a place in the emerging empire – the great role it can play for the imperial cause will be shown more fully in Virgil’s next work, the epic Aeneid (Griffin, “The Fourth Georgic,” p. 72). Interestingly, however, in Aeneid VI.852, Aeneas’s father will tell him that unlike the Greeks, Rome’s true “art” will not take the form of literature and music, but rather the law and order that it will bring to a chaotic world. By the time he writes his epic, then, Virgil seems to allow Octavian’s imperial mission to occupy the entire stage.

Publishing commentary
Yes
Thematic keywords
artwarAugustusItalylandvictorylawParthiansRoman order
Keywords (original language)
iuravictorpopulusbellum
Publication status
Yes
Realised by (term)
Kimberley Fowler
Drupal Node ID
1011
 
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