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<title>Philadelphia, Philadelphia Museum of Art, Department of Prints, Drawings, and Photographs, 1945‑65‑17</title>
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<detail conceptID="1410-1012">This Book of Hours was made in Salamanca in the late fifteenth century. It was produced for a member of the Manuel de Villena family (coat-of-arms present on fol. 15r), who were the counts of Atalaya. The book contains a large number of accessory texts and unusual Offices which contribute to its great length. The book begins with a calendar (fols. 1r-12v), followed by the Hours of the Virgin for the Use of Rome (fols.15r-116v), including variant readings for Advent. Each hour is preceded by a full-page miniature displaying the habitual iconography. The following section consists of the Mass of the Virgin (fols. 117-129r), and is preceded by a full-page miniature of the Virgin and Child in an interior. Next come the unillustrated Gospel Lessons and the Passion according to John (fols. 129v-148v), which begins with a historiated initial. The Office of the Dead (fols. 151r-206r) is preceded by a full-page miniature showing the Raising of Lazarus. The Penitential Psalms, Litany, and associated prayers are preceded by a full-page miniature of King David in Prayer. The following sections of the book are more unusual, consisting of: the Athanasian Creed followed by the Hours of the Passion, Hours of the Holy Spirit, and Hours of Corpus Christi, each unillustrated (fols. 232r-262r); the Hours of the Conception of the Virgin (fols. 263r-269r), introduced by a full-page miniature of the Meeting at the Golden Gate; the Hours of the Passion (fols. 270r-321v), Hours of the Guardian Angel followed by Psalter of Saint Jerome (fols. 322r-353v), Hours of Saint Catherine (fols. 354r-368v); and Hours of Mary Magdalene (fols. 369r-422r), each unillustrated. The following section, which is a continuous textual unit (fols. 423r-455v), contains a large assortment of prayers: the Salve Sancta Facies (preceded by a full-page miniature of Saint Veronica holding the Sudarium) followed by the &quot;Deus qui nobis samulis tuis lumine...,&quot; Obsecro te (introduced by a large inhabited initial of the Virgin and Child), &quot;Subveniat nobis quaesumus...,&quot; &quot;Ad sanctitatis tuae pedes dulcissima virgo...,&quot; &quot;Iure te laudamus regina celi...,&quot; Prayers of Pope Gregory, and Suffrages. Most prayers and the suffrages are introduced by an inhabited initial. The section continues with prayers in Castilian: &quot;Gracias te do yo sennor todo poderoso...&quot; (introduced by an inhabited initial); &quot;Muy dulce Ihesu...,&quot; with instructions; &quot;Dolor y displicencia tengo...;&quot; and &quot;Sennor eternal dios myo...&quot; (introduced by a small miniature of a woman in prayer before an altar). The final section (fols. 457r-467r) consists of the O intemerata (introduced by a large inhabited initial of the Virgin and Child), followed by Stabat Mater (introduced by a small miniature of the Pietà), prayer &quot;Interveniat pro nobis quesumus...,&quot; Prayer of Saint Augustin &quot;Domina nostra auxiliatrix...,&quot; and prayer &quot;Quid tibi pro tantis reddam....&quot; On the basis of the large, rotunda-style script and the broadly-painted miniatures, the book can be dated to the last quarter of the fifteenth century.</detail>
<detail conceptID="1410-1055">1945‑65‑17</detail>
<detail conceptID="1410-1057" termConceptID="1410-6264">Latin (LA, LAT)</detail>
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<detail conceptID="1410-1058">Book of Hours, Use of Rome (The Atalaya Hours)</detail>
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<detail conceptID="1410-1067">467 ff. (CCLL)</detail>
<detail conceptID="1410-1067">iv+471+ii</detail>
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<raw>1500</raw>
<year>1500</year>
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<detail conceptID="1410-1094">last quarter of the fifteenth century</detail>
<detail conceptID="1410-1117">Salamanca, Spain</detail>
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<raw>1476</raw>
<year>1476</year>
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<raw>1500</raw>
<year>1500</year>
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