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<type id="123" conceptID="1683-123">Inscription</type>
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<title>&lt;b&gt;Re-casting imperial images at Ephesus under Marcus Aurelius 
&lt;/b&gt; 

[ Marble ]
&lt;i&gt;


&lt;/i&gt;</title>
<added>2022-08-16 23:18:40</added>
<modified>2025-07-22 16:56:40</modified>
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<detail conceptID="2-1">Re-casting imperial images at Ephesus under Marcus Aurelius</detail>
<detail conceptID="2-3">The imperial letter was inscribed on five different blocks. Some parts of them are very damaged.</detail>
<detail conceptID="2-10">
<raw>0162</raw>
<year>0162</year>
</detail>
<detail conceptID="2-11">
<raw>0163</raw>
<year>0163</year>
</detail>
<detail conceptID="2-36">4157</detail>
<detail conceptID="2-965" termConceptID="1683-12624">Greek</detail>
<detail conceptID="2-1016" isRecordPointer="true">3222</detail>
<detail conceptID="2-1016" isRecordPointer="true">3419</detail>
<detail conceptID="2-1016" isRecordPointer="true">3674</detail>
<detail conceptID="2-1016" isRecordPointer="true">2375</detail>
<detail conceptID="2-1016" isRecordPointer="true">2374</detail>
<detail conceptID="1683-1084">&lt;p&gt;Soon after inaugurating their co-regency, Marcus Aurelius and Lucius Verus appear fully involved in responding to issues affecting both the imperial administration and the local population. Through these early actions, we can explore the policy of the emperors regarding their visual representations and the provincial attitude towards the maintenance and re-use of these images.   &lt;br /&gt;&lt;br /&gt;The imperial letter, discovered at Ephesus, was not directly addressed to the political institutions of the Asian city, but to an individual named Ulpius Eurycles. Thanks to the information contained in lines 5 and 6, we know that this man had been appointed by the proconsuls as λογιστής/&lt;em&gt;logistês&lt;/em&gt;. This term – a rendering of the Latin title &lt;em&gt;curator&lt;/em&gt; – refers to agents sent by the Roman administration to supervise local issues who became more frequent from the 2&lt;sup&gt;nd&lt;/sup&gt; century CE (Dmitriev, &lt;em&gt;City Government&lt;/em&gt;, p. 195-196). In order to perform their missions more effectively, the &lt;em&gt;curatores &lt;/em&gt;were normally selected among provincial celebrities such as Iulius Severus who were well acquainted with the particularities of Greek cities in the eastern Mediterranean. The appointment of Ulpius Eurycles follows this model as well because he belonged to the elite of Phrygia and was renowned for his virtues – including &lt;em&gt;paideia &lt;/em&gt;– as extolled in letters sent by the council of the Panhellenion (&lt;em&gt;IGRR &lt;/em&gt;IV.573-4), and even the emperor Antoninus Pius (&lt;em&gt;IGRR &lt;/em&gt;IV.575). Another inscription found not far from the famous temple of Zeus in Aizanoi records the setting up of honours by Eurycles himself for Marcus Aurelius and Lucius Verus already in 161; so there should be no doubt about his alignment with the recent imperial accession.&lt;br /&gt;&lt;br /&gt;In his Ephesian mission, Ulpius Eurycles was supervising the γερουσία/&lt;em&gt;gerousia&lt;/em&gt;. This was the council of elders that Lysimachus instituted to control many aspects in the civic life after his Hellenistic re-foundation according to Strabo (&lt;em&gt;Geography &lt;/em&gt;XIV.1.21). In the imperial period and on the basis of epigraphic evidence, the tasks of the &lt;em&gt;gerousia &lt;/em&gt;seem more modest but still relevant. For example, it was the political entity receiving the third largest sum in the Salutaris’s Foundation. It also had the capacity to lend money and collect debts (see Rogers, &lt;em&gt;Sacred Identity&lt;/em&gt;, p. 62&lt;em&gt;-&lt;/em&gt;64), and was deeply involved in the cult of both Artemis and the Roman emperors for whom prayers were sung in 180 CE (&lt;em&gt;I.Eph. &lt;/em&gt;26. l. 8-12). On account of all these activities, the intervention of Ulpius Eurycles was deemed necessary by the provincial proconsuls. Marcus Aurelius and Lucius Verus remark that the &lt;em&gt;curator&lt;/em&gt; should have contacted first these immediate superiors concerning his complications (ἠπόρεις/&lt;em&gt;êporeis&lt;/em&gt;). The emperors were therefore fearing that a negative precedent (παραδείγμα/&lt;em&gt;paradeigma&lt;/em&gt;) would be created and, consequently, the number of similar petitions become unbearable. Nonetheless, they agree that the first issue communicated (ἐκοίνωσας/&lt;em&gt;ekoinôsas&lt;/em&gt;) by Ulpius Eurycles was pertinent to their attention, above the other questions (ἐρωτήσεις/&lt;em&gt;erôtêseis&lt;/em&gt;) attached. Even if the inscription records the response to all these enquiries over more than sixty lines, our edition and commentary focus on the difficulty primarily attracting this imperial reaction, namely “the silver images” (ἀργυραῖ εἰκόνες/&lt;em&gt;argyrai eikones&lt;/em&gt;, l. 9).&lt;br /&gt;&lt;br /&gt;These were old metal representations of the emperors (αὐτοκράτορες/&lt;em&gt;autokratores&lt;/em&gt;, l. 11) stored in the building where the &lt;em&gt;gerousia &lt;/em&gt;summoned: the συνέδριον/&lt;em&gt;synedrion&lt;/em&gt;. The Ephesian proposal was to re-use the precious material for producing images befitting the features (χαρακτῆρες/&lt;em&gt;charaktêres&lt;/em&gt;) of the new emperors. Ulpius Eurycles probably doubted the suitability of the action and, for this reason, contacted Marcus Aurelius and Lucius Verus directly. The imperial response rejected the re-casting (ἀναχώνευσις/&lt;em&gt;anachôneusis&lt;/em&gt;) and urged to preserve “the names under which each of them came into existence (l. 12-13).” Both the local initiative and the Roman reaction show two important aspects. First, this kind of images was supposed to resemble the actual characteristics of the rulers and, hence, be recognisable. In other words, representations of the Roman emperors in the provinces were not abstract, but determined by the individuality of human nature. Indeed, conscious worries about sculptural realism could only arouse when the local population was well aware of the distinctive physical changes brought by each imperial accession. If sculptures did not comply with the visual consensus transmitted by other media such as coins, their inviolability might be endangered. This was precisely the case occurring at Ephesus as recorded between the fragmentary lines 15 and 23. In the petition of Ulpius Eurycles now lost, the &lt;em&gt;curator &lt;/em&gt;most likely exposed the difficulty of providing identifications of each of the statues. Marcus Aurelius and Lucius Aurelius, in return, insisted in the effort to use other methods available to him such as the registers (βιβλία/&lt;em&gt;biblia&lt;/em&gt;) of the &lt;em&gt;gerousia&lt;/em&gt;. But, how could the identification of solid silver images become so challenging? A related document mentioned above, the Salutaris’s foundation, helps us to answer this question. In this long inscription, not only distributions of money to civic institutions are established but also the preparation of five silver images of Trajan and Plotina weighting several pounds commanded. Additionally, the local decree enforcing the foundation instructs that these images were to be paraded in many local festivities of Ephesus. This frequent display is not unique to the Asian capital but, rather, endorsed by the emperors as confirmed by Marcus Aurelius himself when he recommended in Athens the production of busts that could be “more easily transported in public gatherings” (&lt;em&gt;SEG&lt;/em&gt; 21.509). Constant use generates wear and the subsequent defacing observed by Ulpius Eurycles should now be better understood.&lt;br /&gt;&lt;br /&gt;The second central element of the text is concerned with the apparent lack of readiness (πρόχειροι/&lt;em&gt;procheiroi&lt;/em&gt;) to accept honours (τιμαί/&lt;em&gt;timai&lt;/em&gt;) expressed by Marcus Aurelius and Lucius Verus in lines 14 and 15. Considering that this communication occurred at the beginning of the their joint reign, this stance must be interpreted in the long imperial tradition to refuse excessive signs of provincial devotion upon accession. Tiberius, for example, did not accept divine honours after the death of Augustus as reported by the sacred law of Gytheion, and Claudius reacted negatively to a similar proposal of Thasos too. In the aforementioned case of Marcus Aurelius in Athens, the emperor proposed the use of bronze instead of expensive gold. The episode of Ephesus is even more interesting because the emperors opposed the idea of usurping material dedicated to rulers such as Trajan from which they claimed to be descendants (see Hekster, &lt;em&gt;Emperors and Ancestors&lt;/em&gt;, p. 80-96). Instead, they advocated for the renovation (ἀνανεωθῆναι/&lt;em&gt;ananeôthênai&lt;/em&gt;) of previous images as an honour which could also strengthen their imperial legitimacy. With their proposal, Ephesus had already demonstrated loyalty to Marcus Aurelius and Lucius Verus so the emperors were more interested in setting their new policy regarding images. This policy appears to have finally been accepted as the setting up of the inscription would show. Likewise, the Ephesian favour for the Antonine dynasty cannot be doubted on the basis of the so-called “Parthian Monument” (see Oberleitner, &lt;em&gt;Das Partherdenkmal&lt;/em&gt;), and the fact that Lucius Verus visited the city at least on two occasions  – one of which he would have married Lucilla – and his troops were hosted here for several months on their return from Persia. As for Ulpius Eurycles, he was equally successful because an inscription from Aphrodisias records another mission as &lt;em&gt;curator &lt;/em&gt;on behalf of Rome in the reign of Commodus (&lt;em&gt;I.Aph. &lt;/em&gt;15.330).&lt;br /&gt;&lt;br /&gt;In order to create these connections between ruling powers and provincial population, accurate images were considered fundamental. These were visual representations that could generate consensus and control fostered not only through military subjugation but also by impressive media such as coins and statues. The importance of these figurative devices is confirmed by our document illustrating a concrete issue in which Marcus Aurelius and Lucius Verus rejected the re-casting of worn silver depicting their ancestors in Ephesus. Considering the strong symbolism of such images, one might also easily understand the precautions that rabbinic sources such as Mishnah, Avodah Zarah 3:1-2 placed regarding the re-use of old Roman idols, even if these were fragmentary. &lt;/p&gt;</detail>
<detail conceptID="1683-1085" termConceptID="1683-10274">Ephesus</detail>
<detail conceptID="1683-1085" termConceptID="1683-11161">Marcus Aurelius</detail>
<detail conceptID="1683-1085" termConceptID="1683-11118">Lucius Verus</detail>
<detail conceptID="1683-1085" termConceptID="1683-10758">imperial image</detail>
<detail conceptID="1683-1085" termConceptID="1683-12205">statue</detail>
<detail conceptID="1683-1085" termConceptID="1683-10045">council of the elders</detail>
<detail conceptID="1683-1085" termConceptID="1683-12141">silver</detail>
<detail conceptID="1683-1085" termConceptID="1683-10714">idol</detail>
<detail conceptID="1683-1085" termConceptID="1683-11835">Roman administration</detail>
<detail conceptID="1683-1085" termConceptID="1683-10076">curator</detail>
<detail conceptID="1683-1085" termConceptID="1683-11591">proconsul</detail>
<detail conceptID="1683-1085" termConceptID="1683-10039">correspondence</detail>
<detail conceptID="1683-1085" termConceptID="1683-10821">intervention</detail>
<detail conceptID="1683-1085" termConceptID="1683-10744">imperial cult</detail>
<detail conceptID="1683-1085" termConceptID="1683-10783">imperial succession</detail>
<detail conceptID="1683-1086">Blocks a, b, c are in Vienna (Austria), at the Ephesus Museum (inv. III 1081). Block d is in the British Museum, London.</detail>
<detail conceptID="1683-1088" termConceptID="1683-12541">Marble</detail>
<detail conceptID="1683-1089">Block a) 59.5x134; b) 22x59.5; c) 59.5x134: d) 23x 63.5 (all in centimetres). Letters are between 3 and 1.5 cm tall.</detail>
<detail conceptID="1683-1094" termConceptID="1683-12521">2nd CE</detail>
<detail conceptID="1683-1097" isRecordPointer="true">5832</detail>
<detail conceptID="1683-1102">The blocks were found in the theatre of Ephesus, but they could have originally stood on one of the walls of the gerousia.</detail>
<detail conceptID="1683-1107" isRecordPointer="true">131</detail>
<detail conceptID="1683-1107" isRecordPointer="true">167</detail>
<detail conceptID="1683-1107" isRecordPointer="true">213</detail>
<detail conceptID="1683-1107" isRecordPointer="true">224</detail>
<detail conceptID="1683-1107" isRecordPointer="true">242</detail>
<detail conceptID="1683-1107" isRecordPointer="true">156</detail>
<detail conceptID="1683-1109" termConceptID="1683-12626">Roman</detail>
<detail conceptID="1683-1109" termConceptID="1683-12627">Greek</detail>
<detail conceptID="1683-1110">Die Inschriften von Ephesos I no. 25.</detail>
<detail conceptID="1683-1112" termConceptID="2-531">No</detail>
<detail conceptID="1683-1113">&lt;p align=&quot;left&quot;&gt;This edition is based on &lt;em&gt;Die Inschriften von Ephesos &lt;/em&gt;I no. 25. Only blocks a, b, c, and d (up to line 27) are included. &lt;/p&gt;
&lt;table style=&quot;width: 796px; height: 826px;&quot; border=&quot;0&quot; cellspacing=&quot;0&quot; cellpadding=&quot;0&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;28&quot;&gt;
&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
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&lt;div align=&quot;left&quot;&gt;Αὐτοκράτωρ Καῖσαρ Μᾶρκος Ἀυρήλιος Ἀντωνεῖνος&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;28&quot;&gt;
&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;Σεβαστὸς καὶ Αὐτοκράτωρ Καῖσαρ Λεύκιος Αὐρήλιος Οὐῆρος&lt;/div&gt;
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&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;28&quot;&gt;
&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;Σεβαστὸς Ἀρμενιακὸς Οὐλπίῳ Εὐρυκλεῖ&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;28&quot;&gt;
&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt;                         χαίρειν.&lt;/div&gt;
&lt;/td&gt;
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&lt;div align=&quot;left&quot;&gt;5&lt;/div&gt;
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&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;ὅτι μὲν ὑπ’ ἀνθυπάτων δοθέντα σε τῇ γερουσίᾳ τῶν Ἐφεσίων&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;λογιστὴν ἐκείνοις ἔδει, περὶ ὧν ἠπόρεις, ἀναφέρειν, αὐτός τε εὐγνω-&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
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&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;μόνως ἐδήλωσας ἐπιστάμενος, καὶ ἡμεῖς διὰ τοῦτο ἐπεμνήσθημεν,&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;ὡς μὴ ῥαιδίως ἀνάγεσθαί τινας τῷ παραδείγματι. ὃ δὲ πρῶτον ἡμῖν ἐκοίνωσας,&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;τὸ περὶ τῶν ἀργυρῶν εἰκόνων, πρᾶγμα ὡς ἀληθῶς τῆς ἡμετέρας συνχωρήσε-&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt;10&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt;[ως] προσδεόμενο&lt;ν&gt;, δῆλόν ἐστί σοι καὶ τὴν εἰς τὰς ἄλλας ἐρωτήσεις ἀφορμὴν συμβε-&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
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&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;[βλη]μένον. τὰς οὖν εἰκόνας τῶν αὐτοκρατόρων, ἃς ἀποκεῖσθαι λέγεις ἐν τῷ συνε-&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;[δρί]ῳ τούτῳ, παλαιάς, ἑνὶ μὲν λόγῳ πάσας δοκιμάζομεν φυλαχθῆναι τοῖς ὀνόμασιν, ἐφ’ ο-&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
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&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;[ἷς] γέγονεν αὐτῶν ἑκάστη, εἰς δὲ ἡμετέρους χαρακτῆρας μηδέν τι τῆς ὕλης ἐκείνης&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;[μ]εταφέρειν· οἳ γὰρ [ο]ὔ[τ’] ἄλλως [εἰς τ]ὰς ἡμε[τέ]ρας τιμάς ἐσμεν [π]ρόχειρο[ι, πολὺ] δή τ[ι ἧ]τ[τον ἂν]&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt;15&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt;[ἄλλας εἰς ἡμᾶς μετ]αβα[λλο]μ̣ένας ἀνασχοίμεθα· ἀλλ’ ὅσαι μ[ὲν αὐτῶν .....c.12....]&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt;[.....c.15.....] ἔχουσι τὰς μορφάς, κἂν ὅσον γνωρίζε[σθαι τῶν προσώπων τοὺς χα]-&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt;[ρακτῆρας, ταύτας κα]ὶ σοὶ παρέστη λελογισμένως, ὅτι τοῖς αὐτ[οῖς δεῖ φυλαχθῆναι ὀνό]-&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
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&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;[μασιν, ἐφ’ οἷς γεγόνασιν·] περὶ δὲ τῶν οὕτως ἄγαν συντεθραυ[σμένων, ὡς ἀναφέρεις, καὶ]&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;[οὐδεμίαν μορφὴν ἔτ]ι̣ φαίνειν δυναμένων τάχα μὲν ἂν καὶ [τούτων ἐκ τῶν ἐπὶ τοῖς βά]-&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;28&quot;&gt;
&lt;div align=&quot;left&quot;&gt;20&lt;/div&gt;
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&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;[θροις ἐπιγραφῶν, τ]άχα δ’ ἂν καὶ ἐκ βιβλίων, εἴ τινα ἔστι τῷ [συνεδρίῳ τούτῳ ...c.8...]&lt;/div&gt;
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&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;28&quot;&gt;
&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;[...c.14.... τὰ ὀνό]ματα συνπορισθείη, ὥστε τοῖ̣[ς προγεγονόσι μᾶλλον τὴν]&lt;/div&gt;
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&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;[τει]μὴν ἀνανεωθῆναι [ἤπερ διὰ τ]ῆ̣ς ἀναχων[εύσεως ἐξαφανισθῆναι τῶν]&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;28&quot;&gt;
&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;εἰκόνων.  τῇ δὲ χωνεύσει πρῶτον μέν σε παρὰ τυχ[..........24-26.........]&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;28&quot;&gt;
&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;ταλαμβάνῃ τοῦ μέτρου τῆς λογιστείας· ἀλλ’ ἐπειδ[ὴ [..........26-28.........]&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;28&quot;&gt;
&lt;div align=&quot;left&quot;&gt;25&lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;ὑπήρξω καὶ τὸ συγχωρηθῆναι διεπράξω παρ’ ἡμῶ[ν..........25-27.........]&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;28&quot;&gt;
&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;πραχθῆναι, ἔπειτα καὶ ἄλλους πρὸς τὸ μάλιστα ἀνεσ̣[.......20-22.....], οὓς ἂν]&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;28&quot;&gt;
&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;ὁ κράτιστος ἀνθύπατος εἴτε ἐξ αὐτῆς τῆς γερουσίας ε[ἴτε ἐξ ἁπάντων τῶν πολει]-&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td valign=&quot;top&quot; width=&quot;28&quot;&gt;
&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;
&lt;/td&gt;
&lt;td valign=&quot;top&quot; width=&quot;510&quot;&gt;
&lt;div align=&quot;left&quot;&gt;τῶν δοκιμάσῃ. &lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</detail>
<detail conceptID="1683-1114">&lt;p&gt;The translation is taken from Oliver, James H., &lt;em&gt;Greek Constitutions of Early Roman Emperors from Inscriptions and Papyri &lt;/em&gt;(Philadelphia: American Philosophical Society, 1989), p. 349-359 (no. 170).&lt;br /&gt;&lt;br /&gt;Imperator Caesar Marcus Aurelius Antoninus Augustus and Imperator Caesar Lucius Aurelius Verus Augustus Armeniacus to Ulpius Eurycles, greetings.&lt;/p&gt;
&lt;p&gt;That you who have been given by the proconsuls to the Gerousia of the Ephesians as financial commissioner should have reported to them (the proconsuls) concerning your difficulties, you yourself well knew and wisely said so, and we have commented upon this point in order that people might not lightly refer to a precedent here. The first question in your communication to us, the question of the silver images, has obviously furnished you with the occasion for the other inquiries, and it is a matter which requires our permission indeed. In regard then to the images of the emperors, old images which you said are stored in this synhedrion, in brief we think that all of them should be preserved under the names under which each of them came into existence, and that none of the that material should be realtered into representations of ourselves. For we, who are in no particular way eager to accept our own honours, would still less willingly put up with [those of others] realtered [to represent ourselves]. But if it has occurred also to you after considering the matter that as many [of them as even now] retain the features [of some emperor] enough for the figures to be recognised, [ought to be preserved] under the same [names under which they came into existence]. In regard, moreover, to those so exceedingly battered [as you report and no longer] capable of exhibiting [any outline], even their] identifications might perhaps be supplied [from the inscriptions on the bases], or perhaps even from inventories, if there are any in [this synhedrion ...] so that [the honor] might be renewed for [our predecessors rather than disappear through] the melting down of the images. And at the smelting first you... of the record of the accounting office. But since ... you began and brought it about that it was permitted by us ... and others ... [whom] the most illustrious proconsul might approve either from the Gerousia itself [or from the whole citizen body].&lt;/p&gt;</detail>
<detail conceptID="1683-1116" termConceptID="2-531">No</detail>
<detail conceptID="1683-1117">Marcus Aurelius and Lucius Verus instruct not to re-cast silver for their representations, even if the old images were worn and not easily identifiable.</detail>
<detail conceptID="1683-1118" termConceptID="1683-13995">κοινόω</detail>
<detail conceptID="1683-1118" termConceptID="1683-13996">ἐρώτησις</detail>
<detail conceptID="1683-1118" termConceptID="1683-13997">χαρακτήρ</detail>
<detail conceptID="1683-1118" termConceptID="1683-13998">βιβλίον</detail>
<detail conceptID="1683-1118" termConceptID="1683-13170">ὄνομα</detail>
<detail conceptID="1683-1118" termConceptID="1683-13696">εἰκών</detail>
<detail conceptID="1683-1118" termConceptID="1683-13999">ἄργυρος</detail>
<detail conceptID="1683-1118" termConceptID="1683-14000">ἀναχώνευσις</detail>
<detail conceptID="1683-1118" termConceptID="1683-14001">πρόχειρος</detail>
<detail conceptID="1683-1118" termConceptID="1683-12900">τιμή</detail>
<detail conceptID="1683-1118" termConceptID="1683-14002">ἀνανεόομαι</detail>
<detail conceptID="1683-1118" termConceptID="1683-12661">αὐτοκράτωρ</detail>
<detail conceptID="1683-1118" termConceptID="1683-12641">Καῖσαρ</detail>
<detail conceptID="1683-1118" termConceptID="1683-12818">Ἀντωνεῖνος</detail>
<detail conceptID="1683-1118" termConceptID="1683-13421">Οὐῆρος</detail>
<detail conceptID="1683-1118" termConceptID="1683-13474">γερουσία</detail>
<detail conceptID="1683-1118" termConceptID="1683-12755">ἀνθύπατος</detail>
<detail conceptID="1683-1118" termConceptID="1683-13788">λογιστής</detail>
<detail conceptID="1683-1118" termConceptID="1683-13993">παραδείγμα</detail>
<detail conceptID="1683-1118" termConceptID="1683-13994">ἀπορέω</detail>
<detail conceptID="1683-1118" termConceptID="1683-13479">συνέδριον</detail>
<detail conceptID="1683-1120" termConceptID="1683-14277">Aitor Blanco Pérez</detail>
<detail conceptID="1683-1123" termConceptID="1683-14281">English</detail>
<detail conceptID="1683-1126" termConceptID="1683-14315">Imperial letter</detail>
<detail conceptID="1683-1174" termConceptID="2-532">Yes</detail>
<reversePointer id="1107" conceptID="1683-1107">107</reversePointer>
<reversePointer id="1107" conceptID="1683-1107">168</reversePointer>
<reversePointer id="1107" conceptID="1683-1107">242</reversePointer>
<reversePointer id="1107" conceptID="1683-1107">248</reversePointer>
<reversePointer id="1107" conceptID="1683-1107">263</reversePointer>
<reversePointer id="1107" conceptID="1683-1107">295</reversePointer>
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