Inscriptiones Christianae Graecae 3621 [ Stone. ]

judaism_and_rome 2026-07-23T05:21:47+02:00 1 152 Inscription https://heurist.huma-num.fr/heurist/?recID=152&db=judaism_and_rome Inscriptiones Christianae Graecae 3621 [ Stone. ] 2022-08-16 23:18:38 2025-07-22 16:56:40 public Inscriptiones Christianae Graecae 3621 This inscription is a piece ofgraffito consisting of a prayer for help, accompanied by an image of a small ship, a panther, and a pediment supported by two columns, from which hangs a corona (shown in the attached image). Nearby also is a Christogram (a symbol combining the Greek letters Chi and Rho, the first two letters of “Christ”) and a disk mounted on top of a cross, which is flanked by an Alpha and Omega (the first and last letters of the Greek alphabet, which symbolise Christ’s eternity) (see Dēmētrios Pallas, “Investigations sur les monuments,” p. 3, n. 11). 2373 Greek 3970 3969 3968 The present graffiti was among various pieces discovered on the walls of a cryptoporticus (underground corridors) near the Roman theatre (the Odeion) in Thessaloniki, which was built in the first century CE:<a href="https://en.wikipedia.org/wiki/Roman_Forum_(Thessaloniki)#/media/File:Thessaloniki_odeion_August_2_2006.jpg">https://en.wikipedia.org/wiki/Roman_Forum_(Thessaloniki)#/media/File:Thessaloniki_odeion_August_2_2006.jpg</a>.The graffiti cited above invokes the help of the Lord God for two individuals, Eutychos and Elpidios, and is found close to other graffiti (which can be seen in the attached image) which has led to its interpretation by Pallas and others as testimony of the Christians who died in the arena during the persecution under Diocletian. In Pallas’s words (I translate from the French), the accompanying graffiti shows “an attacking panther, a ship, a symbol of the passage to the port of eternity … a pediment resting on two pillars, on which hangs a crown, a symbol of triumph and the entrance to the heavenly palace in paradise” (“Investigations sur les monuments,” p. 2). The so-called Great Persecution of Diocletian was the last persecution of Christians at the hands of Rome, and began in 303 CE after Diocletian had consulted the oracle of Apollo. Some scholars have suggested that Christian authors have greatly exaggerated the scale of Diocletian’s persecution (see, for instance, the influential article of Geoffrey de Ste. Croix, “Why Were the Early Christians Persecuted?”). It seems that Diocletian’s edict against the Christians of 304 CE was enforced in Thessaloniki in the April of that year (see Timothy Barnes, Constantine and Eusebius, p. 24).While it cannot be proved with absolute certainty that the graffiti represents some of the Christians condemned to die in the arena under Diocletian, the combination of the symbols depicted certainly lends itself to such a reading. This source therefore potentially offers us not only a fascinating piece of non-literary evidence of the persecution itself, but also some insight into how Christians responded to the situation from somewhere other than the martyr acts, which were highly stylised and embellished by early-Christian authors in order to maximise their polemical value (for example, see the commentaries on the Martyrdom of Polycarp, the <a href="https://heurist.huma-num.fr/judaism_and_rome/tpl/public-record/1248" target="_blank">martyrs of Vienne and Lyon</a>, and the <a href="https://heurist.huma-num.fr/judaism_and_rome/tpl/public-record/1366" target="_blank">Acts of the Scillitan Martyrs</a>). If this graffiti does in fact invoke God’s help (perhaps for as swift a passage as possible to heaven) for two unlucky Christians, then it provides a very real depiction of their hope of eternal salvation after their suffering at the hands of Rome (the symbols of the ship, crown, and palace can all be seen as indicative of this, as Pallas argues). In effect, the power of God is invoked for Eutychos and Elpidios as a direct counter measure to a violent expression of Roman imperial power. persecution Diocletian panther ship crown Christian graffiti arena Thessaloniki Roman power divine protection invocation Forum Museum, Thessaloniki Stone. Uncertain 4th CE 33 The wall of the cryptoporticus of the Odeion (amphitheatre) Thessaloniki ΚΥΡΙΕ ΕΥΤΥΧΩ ΚΥΡΙΕ Ο ΘΕΟ ΒΟΗΘ Σ Ν ΕΛΠΙΔΙΟ 1366 1248 Christian Pallas, Dēmētrios, “Investigations sur les monuments chrétiens de Grèce avant Constantin,” Cahiers archéologiques 24 (1975), p. 2-3; Pallas, Dēmētrios, Les monuments paléochrétiens de Grèce decouverts de 1959 à 1973 (Vatican: Pontificio Istituto di archeologia cristiana, 1977), p. 75-76; Pleket, H. W. and Stroud, R. S., Supplementum Epigraphicum Graecum 34 (1987), p. 449, number 1682. No C. Breytenbach, K. Hallof, U. Huttner, J. Krumm, S. Mitchell, J. M. Ogereau, E. Sironen, M. Veksina, and C. Zimmermann, eds., Inscriptiones Christianae Graecae (ICG): A Digital Collection of Greek Early Christian Inscriptions from Asia Minor and Greece (Berlin: Edition Topoi, 2016). Online at: <a href="http://repository.edition-topoi.org/collection/ICG">http://repository.edition-topoi.org/collection/ICG</a> The database is open access, and the relevant inscription is available here: <a href="http://www.epigraph.topoi.org/ica/icamainapp/inscription/show/3621">http://www.epigraph.topoi.org/ica/icamainapp/inscription/show/3621</a> Κύριε [βοήθησον] Εὐτύχῳ, Κύριε ὁ Θεὸ<ς> βοήθ<η>σ<ο>ν Ἐλπιδί<ῳ> C. Breytenbach, K. Hallof, U. Huttner, J. Krumm, S. Mitchell, J. M. Ogereau, E. Sironen, M. Veksina, and C. Zimmermann, eds., Inscriptiones Christianae Graecae (ICG): A Digital Collection of Greek Early Christian Inscriptions from Asia Minor and Greece (Berlin: Edition Topoi, 2016). Online at: <a href="http://repository.edition-topoi.org/collection/ICG">http://repository.edition-topoi.org/collection/ICG</a> The database is open access, and the relevant inscription is available here: <a href="http://www.epigraph.topoi.org/ica/icamainapp/inscription/show/3621">http://www.epigraph.topoi.org/ica/icamainapp/inscription/show/3621</a> “Lord, help Eutychos! Lord God, help Elpidios!” Yes Graffiti from the persecution under Diocletian? κύριος θεός βοηθέω Kimberley Fowler English Request copyright permission for this sketch.A sketch of the graffiti can be found in Cahiers archéologiques 24 (1975), p. 2 Invocation, graffito Yes 1171 153 169 1