judaism_and_rome 2026-05-30T14:52:03+02:00 1 132 Inscription https://heurist.huma-num.fr/heurist/?recID=132&db=judaism_and_rome 2022-08-16 23:18:38 2025-07-22 16:56:39 public Hadrian listens to Hymns in the Theatre of Ephesus Plate of the plinth. The left side is broken 0124 0124 3225 Greek 4986 3509 2434 3686 3230 3807 3229 3731 3228 3226 3225 3224 <p>Hadrian is renowned for his many travels across the provinces of the Roman empire and his philhellenism. Traces of such journeys are abundant in the numismatic and epigraphic corpora. However, there are not too many testimonies illustrating what the emperor actually did when he stayed in the cities. This inscription from Ephesus sheds light on the impact of such visits and the way in which local communities in the eastern Mediterranean might react.<br /><br />Even if fragmentary, this marble plate recorded a memorable event for the history of the Ionian city and provincial capital <a href="https://pleiades.stoa.org/places/599612" style="font-size: 13.008px;">Ephesus</a>. None of the elements included provides us with a secure dating. The local officials mentioned (see below) can only be placed in the first second quarter of the 2^nd century CE. Therefore, the best chronological information is to be found in lines 2 and 3. It is said that the actions commemorated in the inscription took place when Hadrian “stayed in the city” (ἐπιδημήσας/<em>epidêmêsas</em>). The problem with this remark is that the emperor is known to have visited Ephesus twice: 124 and 129 CE (see Halfmann, <em>Itinera</em>, p. 191, 193). Only the absence of Olympios in Hadrian’s titulature – a title bestowed in Athens between the end of 128 and beginning of 129 – would favour a connection with the first visit.<br /><br />Hadrian started this journey in the northern part of Asia, with Cyzicus being particularly privileged (see Birley, <em>Hadrian</em>, 162-164). A keen fan of hunting, the emperor descended to the forests of Mysia where he founded the city of Hadrianoutherai (HA, <em>Hadrian </em>XX.13) and authorised the rebranding of Stratonicea as Hadrianopolis (see Boatwright, <em>Hadrian and the Cities</em>, p. 184-190). The next significant stop was Smyrna, where the sophist Polemo took credit for having persuaded Hadrian to abandon his preference for Ephesus (Philostratus, <em>Lives of the Sophists</em> I.21), see <em>I.Smyrna</em> 697 and Quet, “Lesophiste”). Indeed, a new Olympic festival was inaugurated in the city and the emperor granted the coveted status of neocorate (or temple-warden) for the second time (see Burell, <em>Neokoroi</em>, p. 42-48). These precedents are important for understanding Ephesus’s reaction to the imperial visit. As the last <em>polis</em> of the province that the emperor visited before departing to the Aegean islands, the local institutions were aware of the many awards already granted to neighbouring communities. Among these, the advancement of Smyrna was particularly worrying because of the fierce competition for regional pre-eminency between these two cities and Pergamum (see Heller, <em>Les bêtises</em>, p. 217-221). For example, the provincial capital only reached the first <em>neokoria </em>under Domitian. The Ephesians needed to amaze Hadrian in order to regain his favours and, hence, their superior status.<br /><br />The performance of hymns (ὕμνησαν/<em>hymnêsan</em>) in the theatre recorded in line 5 would belong to these impressive activities. The piece was delivered by the local ephebes, that is the group of young citizens receiving both cultural and athletic education in the city supervised by the ἐφήβαρχος/<em>ephêbarchos</em> (see Chankowski, <em>L’Éphébie Hellénistique</em>, and Kennell, <em>Ephebeia</em>). From the reign of Claudius through an edict of the governor Paullus Fabius Persicus, the ephebes were in charge of the hymns because they did not require payment “and their age, status, and aptitude for learning equipped them for such a service.” Ephesus also had to ensure that “they performed the role with care and due attention as befits those who hymn the divine house” [D. Braund’s trans.]. There was therefore a centenary tradition behind the city’s singing on behalf of the emperor, a practice also attested in Pergamum (<em>IGRR</em> 4.353,1679), and, for this reason, they were selected to display their expertise before Hadrian. Line 5 of our inscription emphasises that the emperor listened to the performance in the theatre. This means that the imperial visit did not consist in a hasty passage but rather in a longer stay in which such strategies of persuasion could be effective. The choice of the theatre by the Ephesians was neither accidental. In Greek <em>poleis</em>, theatres represented not solely stages of entertainment but also spaces of civic interaction and political life where the assembly, for example, could meet as reported in Paul’s visit (<em>Acts </em>19:33-41). From the reign of Trajan and through the Salutaris’s foundation, we also know that this large venue accommodating more than 20.000 spectators was decorated with images representing both Hellenistic ancestry and Roman power. Such elements could certainly appeal the <em>Graeculus </em>(“Greekling”) emperor Hadrian (HA, <em>Hadrian </em>I.5; Aurelius Victor, <em>De Caesaribus</em> XIV.2).<br /><br />Ephesus took care of selecting not only the group of young performers but also the emperor’s hosts. While the president of the gymnasium, T. Flavius Potamon, is not attested elsewhere and his titles φιλόπατρις/<em>philopatris</em> (“fartherland-loving”) and φιλοσέβαστος/<em>philosebastos</em> (“emperor-loving”) are frequent among the public officers of the city, the appearance of Severus (l. 6) and Ti. Claudius Trophimos (l. 11) can be further explored. As for the former, the beginning of his name is lost and two candidates have been proposed: Rupilius Severus (<em>PIR²</em>R 217) and Catilius Severus (<em>PIR²</em>C 558). With either identification, there is a senatorial (συγκλητικός/<em>synklêtikos</em>) descendant acting as priest (ἱερατεύων/<em>hierateuôn</em>), wearing golden garments (ἐχρυσοφόρησε/<em>echrysophorêse</em>), and presenting the ephebes to take part, possibly, in a sacrifice at the temple (ἱερόν/<em>hieron</em>) of Artemis. Such ceremonies would have been intended to entice a Roman emperor particularly fond of ancient religious ceremonies and Panhellenic worship (Cassius Dio, <em>Roman History </em>LXIX.11, 16; HA, <em>Hadrian</em> XIII). The cult of Artemis Ephesia was famous in the Graeco-Roman world (see Rogers, <em>The Mysteries of Artemis</em>), and the sanctuary was likewise considered “the jewel of Asia” and one of the wonders of Antiquity (see Karwiese, <em>Gross ist die Artemis</em>). With regard to Trophimos, he was the son of Ti. Claudius Aristion, a well attested personality of Asia (<em>PIR²</em>C 788), who acted as one of the first priests of the temple of the imperial cult when Domitian granted the <em>neokoria </em>to Ephesus.<br /><br />Through this combination of distinguished and talented citizens, Ephesus most likely managed to positively attract Hadrian’s attention. It is indeed not accidental that the emperor started his second visit to Asia from this city as shown by the letter written in recommendation of his sea-captain Erastus. Hadrian also appears to have confirmed the privileges of the <em>Artemisia</em> and the import of Egyptian corn at a latter stage. Reciprocally, the Ephesians renamed one of the local tribes as Ἁδριανή/<em>Hadrianê</em> (<em>I.Eph.</em> 2050, 2083g, 4331), dedicated one of their temples to Hadrian (<em>I.Eph. </em>212, 921), and celebrated two festivals named Hadrianeia and Hadrianeia Olympics (see Knibbe, “Ephesos vom Beginn”, p. 785 and Bowie, "Hadrien et Éphèse"). Even the coveted second <em>neokoria </em>was achieved (Burrell, <em>Neokoroi</em>, p. 66-70). Such developments may not have happened after a first unsuccessful visit and show the importance of being able to directly display alliance, loyalty, and antiquity before the emperor (cf. <em>SEG </em>51.641). For all these reasons, this document is fundamental for contextualising the reception of imperial journeys in the provinces, including those in the Levant that may have led to the Jewish revolts under Trajan and Hadrian.</p> imperial favour neôkoria Ephesus Asia youth ephebes imperial cult theatre performance sacrifices Artemis temple Hadrian visit local cults provincial relations competition Not given by the editor Marble 105 centimetres in height, 150 centimetres in width, and 25 centimetres thick. Letters are 4 centimetres tall. 2nd CE 5832 Exedra on the Harbour street 248 242 74 184 Roman Greek Die Inschriften von Ephesos IV.1145 [SEG 17.504] No <p align="left">This edition is based on <em>Die Inschriften von Ephesos </em>IV.1145, Bonn, Habelt, 1980. </p> <table border="0" cellspacing="0" cellpadding="0"><tbody><tr><td valign="top" width="20"> <div align="left"> </div> </td> <td valign="top" width="445"> <div align="left">[γυμνασιαρχοῦντ]ος Τίτου Φλαβίου Ποτάμωνο[ς φιλο]-</div> </td> </tr><tr><td valign="top" width="20"> <div align="left"> </div> </td> <td valign="top" width="445"> <div align="left">[πάτριδος καὶ] φιλοσεβάστου καὶ ἐπιδημήσ[αντος]</div> </td> </tr><tr><td valign="top" width="20"> <div align="left"> </div> </td> <td valign="top" width="445"> <div align="left">[τοῦ κυρίου Αὐ]τοκράτορος Τραιανοῦ Ἁδριανοῦ Καί[σα]-</div> </td> </tr><tr><td valign="top" width="20"> <div align="left"> </div> </td> <td valign="top" width="445"> <div align="left">[ρος Σεβαστοῦ] τῇ πόλει ὕμνησαν οἱ ἔφηβ[ο]ι ἐν τῷ θ[εά]-</div> </td> </tr><tr><td valign="top" width="20"> <div align="left">5</div> </td> <td valign="top" width="445"> <div align="left">[τρῳ εὐμενῶς ἀ]κούοντα τὸν αὐτοκράτορα, ἱ[ε]ρατεύον[τος]</div> </td> </tr><tr><td valign="top" width="20"> <div align="left"> </div> </td> <td valign="top" width="445"> <div align="left">[- - -]λ̣ίου Σεβήρου σ[υν]κ̣λητικοῦ υἱ[ο]ῦ, ὃς καὶ ․․.</div> </td> </tr><tr><td valign="top" width="20"> <div align="left"> </div> </td> <td valign="top" width="445"> <div align="left">[- - -] καὶ ἁγνευσ[άμεν]ος ἐχρυσοφόρησε τ̣[ῷ]</div> </td> </tr><tr><td valign="top" width="20"> <div align="left"> </div> </td> <td valign="top" width="445"> <div align="left">[Σεβαστῷ? ἐν τῇ] πόλ[ε]ι καὶ [παιδι]ὰν ἐφηβικὴν ποιησ[άμε]-</div> </td> </tr><tr><td valign="top" width="20"> <div align="left"> </div> </td> <td valign="top" width="445"> <div align="left">[νος ἔθυσεν? ἐν] τῷ ἱε̣ρῷ τ̣[ῆς Ἀρ]τ̣έμιδος <em>vacat</em> νέαρ[χος]</div> </td> </tr><tr><td valign="top" width="20"> <div align="left">10</div> </td> <td valign="top" width="445"> <div align="left">[Τι(βέριος) Κλαύδιος Τρ]όφιμος φ[ιλοσ]έ̣βαστος παράδοξο[ς - - -]</div> </td> </tr><tr><td valign="top" width="20"> <div align="left"> </div> </td> <td valign="top" width="445"> <div align="left">[- - - υἱὸ]ς? Τι(βερίου) Κλ(αυδίου) Ἀρ̣ι̣στίωνος νε(ωτέρου), ἐφήβαρχος</div> </td> </tr><tr><td valign="top" width="20"> <div align="left"> </div> </td> <td valign="top" width="445"> <div align="left">[- - - Κουσ]ώνι[ο]ς? Ἐπίγ[ο]νος</div> </td> </tr></tbody></table> <p>The translation is my own. Brackets indicate uncertain restorations of the text. </p> <p>When Titus Flavius Potamon, the fatherland-loving and emperor-loving, was president of the gymnasium, and the lord emperor Trajan Hadrian Caesar Augustus was staying in the city, the ephebes sang hymns of the emperor who listened [kindly] in the theatre, when ?lios Severus, son of a senator, was priest, who also [...] and wore the golden garments officiating [for the Augustus in the] city and presented the ephebic youth [when he sacrificed] in the temple of Artemis. The new archon [Tib(erius) Claudius] Trophimos emperor-loving, admirable, [son?] of Tib(erius) Claudius Aristion the younger, president of the ephebes, [Cusonius]? Epigonos. <ins cite="mailto:Katell%20Berthelot" datetime="2017-02-26T21:14"></ins></p> Translation by author of the database record Yes Hadrian visits Ephesus and the city prepares a performance of hymns sung by the local ephebes. φιλοσέβαστος ἐπιδημέω αὐτοκράτωρ ̓Αδριανός ὑμνέω ἔφηβος θέατρον συγκλητικός πόλις ἱερόν Ἄρτεμις Aitor Blanco Pérez English Honorific Yes 107 108 130 133 144 187 191 228 235 317 1