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<title>&lt;i&gt;WEBSITE&lt;/i&gt; &lt;b&gt;&lt;b &gt;Vestigia Iuvenci&lt;/b&gt;&lt;br &gt; &lt;i &gt;Database for analysing and entering intertextualities&lt;/i&gt; {R1}&lt;/b&gt; [ Menus: ]</title>
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<detail conceptID="2-1">&lt;b &gt;Vestigia Iuvenci&lt;/b&gt;&lt;br &gt; &lt;i &gt;Database for analysing and entering intertextualities&lt;/i&gt;</detail>
<detail conceptID="2-3">Enter a concise description of the Heurist database / website here, which will be used eg. in lists of websites and in search engine discovery. 

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<detail conceptID="2-4">[{&quot;name&quot;:&quot;Page&quot;,&quot;type&quot;:&quot;group&quot;,&quot;children&quot;:[{&quot;name&quot;:&quot;Content&quot;,&quot;type&quot;:&quot;text&quot;,&quot;css&quot;:{&quot;border-style&quot;:&quot;none&quot;,&quot;display&quot;:&quot;block&quot;},&quot;content&quot;:&quot;&lt;h2&gt;Overview&lt;/h2&gt;\n&lt;p&gt;The project “Latin Biblical Poetry in Antiquity and the Middle Ages (4th – 13th Century) between Intertextuality and Reception in Grammar”, funded by the &lt;em&gt;Deutsche Forschungsgemeinschaft&lt;/em&gt; and the &lt;em&gt;Agence Nationale de la Recherche&lt;/em&gt;, is being realised by an international group of researchers. The aim of the project is to investigate fundamental aspects of the osmotic relationship between the development of exegesis and theology in the increasingly Christianised European cultural area and the renewal of poetry and its classical canon of forms based on literary evidence.&lt;/p&gt;\n&lt;p&gt;The focus is on the complex structures of intertextuality in biblical poetry. The referential framework is not only the relationship to classical pagan poetry (e.g., in contemporary discourse or theological questions), but also the so far little-researched context within Christian poetry itself: How does a work become a reference text, indeed an unavoidable point of reference for later authors? There is also a lack of research into the influence of Christian poetry on the transformation of classical culture in late antiquity and the Middle Ages. The question arises about the perception of a discrepancy between classical, educated poetry and popular culture, especially in the context of existing educational structures. The project also examines the strategies used by authors to come into contact with their audience and their poetic self-authorisation and self-representation – for example as &lt;em&gt;uates&lt;/em&gt;. By placing poetry and theology in dialogue here, it is possible to recognise the close connection between literary-aesthetic selection processes and theological considerations of objectives – factors that are often considered separately in monodisciplinary studies. To this end, the effect of biblical poetry on later theological thinking is analysed. It has a twofold function: an aesthetic one, namely, to improve the stylistic register of the rather sober theological prose treatises, and an authoritative one, which concerns poets such as Juvencus and Sedulius – undeniably orthodox and already approved by the Church Fathers. From the special perspective of biblical poetry, literary, dogmatic, and historical continuities as well as breaks in tradition between antiquity and the Middle Ages can be analysed in a way that cannot be observed elsewhere.&lt;/p&gt;\n&lt;p&gt;The project shows how closely philological research into the history of texts is linked to an understanding of intellectual and cultural history as a whole.&lt;/p&gt;\n&lt;p style=\&quot;text-align: center;\&quot;&gt;&lt;img src=\&quot;./?db=PoBLAM_vestigia_iuvenci&amp;amp;file=d49787bfcd9ff35d9545fccf5cc49f693421ba4c&amp;amp;fancybox=1\&quot; width=\&quot;162\&quot; height=\&quot;162\&quot; data-id=\&quot;d49787bfcd9ff35d9545fccf5cc49f693421ba4c\&quot; /&gt;&lt;/p&gt;\n&lt;div id=\&quot;techOverview\&quot;&gt;\n&lt;h2&gt;Technical overview&lt;/h2&gt;\n&lt;p&gt;Stefan Freund and Philip Buckl, University of Wuppertal, have imagined the &lt;em&gt;Vestigia Iuvenci&lt;/em&gt; database with the aim of highlighting the intertextualities present in the &lt;em&gt;Historia evangelica&lt;/em&gt; by Aquilinus Juvencus (see above). Bruno Bureau and Inès Burri, University Jean Moulin Lyon 3, are collaborating on the digital execution of this project, which is based on two essential components:&lt;/p&gt;\n&lt;ol&gt;\n&lt;li&gt;The creation of a database in &lt;a href=\&quot;https://heuristnetwork.org/\&quot; target=\&quot;_blank\&quot; rel=\&quot;noopener\&quot;&gt;Heurist&lt;/a&gt; of all intertextualities and their analysis, following a specific model established by M. Buckl, to enable filtering of results according to author, themes, etc.&lt;br /&gt;Refer to the \&quot;Intertextuality\&quot; tab.&lt;/li&gt;\n&lt;li&gt;Reading the Juvencus text, with the possibility of clicking on words containing one or more intertextualities and accessing their analysis, in a format similar to the database mentioned above.&lt;br /&gt;Refer to the \&quot;Texts\&quot; tab on the second site of the &lt;em&gt;Vestigia Iuvenci&lt;/em&gt; project.&lt;/li&gt;\n&lt;/ol&gt;\n&lt;/div&gt;&quot;,&quot;dom_id&quot;:&quot;cms-content-16&quot;}],&quot;folder&quot;:true,&quot;dom_id&quot;:&quot;cms-content-15&quot;,&quot;css&quot;:{}}]</detail>
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